You are kindly invited to submit proposals for “Genre Lines,” a conference embedded within the 2019 Nief-Norf Summer Festival. In this conference, we will examine music that has defied, reaffirmed, and/or blurred the boundaries of genre in experimental music of the past 50 years. We seek to ask who and what gets included and excluded when genre lines are drawn.
The conference will feature talks and performances centered on the music of our guest artists, including composer-clarinetist James Falzone, composer Sarah Kirkland Snider, and trumpeter-composer Wadada Leo Smith, who will give the conference keynote.
Topics to consider:
Composers and performers who have blurred genre lines
Musical venues or festivals that have hosted multi-genre performances, such as the Bang on a Can Marathon, the Big Ears Festival, the Create Festival, the Ecstatic Music Festival, and more
Hybridized, hyphenated genres that attempt to fuse multiple genres, like “indie-classical” or “alternative-classical”
The code-switching of musical terminology when working within multiple genres, especially between jazz and classical genres
The pedagogical implications of genre divisions within music education today and historically
individual papers (20 minutes)
themed sessions (3-4 papers, each 20 minutes)
lecture-recitals (30 minutes): for composers or performers to present or perform related work.
Please send abstracts (300 words) as PDF attachments to email@example.com by *March 15, 2019*. In your submission, please include your name, institutional affiliation, and any audiovisual requirements. For themed sessions, please submit all abstracts together with an additional abstract describing your session theme (100 words).
For the past seven years, the Nief-Norf Summer Festival has featured an academic conference within the larger 14-day festival. As part of the festival, dozens of performers, composers, festival faculty, and participating scholars attend these research gatherings. Conference topics have included the music of John Cage (2012), Music and Technology (2013), Music and/as Process (2014), Music as Theater (2015), Astro-Bio-Geo-Physical Music (2016), the Sixth International Conference on Music and Minimalism (2017), and New Asia (2018).